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BIO

whatgrandmawore is a celebration of all-things fashion and its most iconic moments, written by Ruby-May Helms. She has a BA (Hons) in Fashion and Dress History, and an MA in the History of Design and Material Culture. She is currently in the process of applying for a PHD in design history, exploring the relationship between clothing and death. 

 

This blog explores fashion and dress history through the analysis of surviving garments and other material culture from museum collections. It discusses fashion theory, topical and current issues, and reviews the latest exhibitions. 

 

TO CONTACT: rubymayhelms@hotmail.com. 

 

You can follow us on our social media channels by searching for us on Instagram and Twitter.

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March 11, 2019

whatgrandmawore is pleased to welcome our first guest post from Rachel Sayers!

Within the study of fashion history, Irish dress is one of the most neglected and under-researched aspects. There have been less than ten major texts on Irish fashion to be published in the last 40 years, making writing, disseminating and researching Irish dress history difficult. Researching this blog post on Irish fashion between 1750 and 1850 has been problematic as information is limited, or extracted from other sources that are not readily available to an independent researcher like myself.  This however, has not deterred me in my research, and I hope that you find this blog post informative and enjoyable. 

Ireland in the 18th century was a predominantly rural society with a large percentage of the population working in rural areas. Clothing was made by tailors and seamstresses or within ‘cottage industries’ i.e. clothing made in small cottages across Ireland. [1] Working class women would have...

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